fabric | rblg

Note: fabric | ch was in Venice (again) last October for the panel Cybernetic Sustainabilities – From Past Experiments to Contemporary Reinterpretations, organized in the context of the GENS Public Porgram.

Discussing historical cybernetics, its inheritance and recent evolution into sustainable territories, it brought together great interventions by Prof. Orit Halpern (TU-Dresden), Giulia Bini (Head of Arts at CERN), Chrissie Muhr (Art Director of Experimental Foundation), Maxwell Ashford (designer, ECAL/HES-SO), Prof. Christophe Guignard and Prof. Patrick Keller (both fabric | ch – studio for architecture, interaction & research | ch and ECAL/HES-SO), all under the insightful moderation of the panel by Gordan Savičić (artist, Lecturer HSLU).

We had the chance to organise with fabric | ch, with the support of Biennale di Venezia (Gens Public Program), and ECAL University of Art and Design Lausanne/HES-SO (Davide Fornari, Head of Research).

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By fabric | ch (on Pixelfed)

Note: While the Biennale di Venezia (2025) slowly reach its end, next November, we published a few pictures on our PIxelfed account. 

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By fabric | ch (on Pixelfed)

Note: the new project Atomized/Retroffited Functioning by fabric | ch has been selected for La Biennale di Venezia / 19th International Architecture Exhibition (2025), curated by C. Ratti.

The piece is currently on display in the Corderie (main exhibition space of the Arsenale, Venice) and will stay exhibited until the 23rd of November 2025 (10.05 – 23.11.2025).

The project present a live iteration of the ongoing Atomized (*) series of work, at this occasion within a fictional space that gather dynamic planetary conditions, in the form of environmental data coming from meteo stations across the globe.

This is a series of radical algorithmic experiments that fabric | ch discreetly initiated in 2014 with a publication—Desierto #3, 28°C—, and an experimental project—Reponsive Atmospheric Patios—on “spatial and environmental intelligence”: real-time environmental data feeds into the automated and continuous assembly of previously “atomized” elements of architectural functions (as well as a diverse set of “atoms” of use/misuse/non-use of space). The results help us to study renewed and evolving assemblies for our changing planet.

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The whole project, its genealogy, and the current live feed are presented on https://www.fabric.ch/Atomized/

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By fabric | ch

The "Pulsar Map" (Peirce quincuncial projection), or live environmental data coming from the selected planetary and historical setllements locations: Venice (IT), Athens (GR), Uruk (IR), Tokyo (JP), Vancouver (CA), Chicago (US), Manchester (EN), Brasilia (BR), North Pole (-). These live data help us build a fictional and planetary live space, to be investigated by Atomized/Retrofitted Functioning. 

Atomized/Retrofitted Functioning

Loosely inspired by particle physics experiments, where collisions reveal fundamental forces, the project explores new spatial paradigms by rethinking past functional assemblies. It parallels retrofitting, adapting spatial configurations to evolving climates and digital realities rather than following fixed models.

Drawing at the same time on vernacular architecture, which historically responded to local climates through material intelligence (notably the work of Professors F. Aubry at EPFL, and B. Rodofsky at Cooper Union, as well as Philippe Rahm’s contemporary interpretation), the project extends this logic into computational realms. It examines the patterns and phasing effects of contemporary space between material and non-material milieux.

The project takes form as an abstract and speculative habitable volume, where environmental data from key locations in human habitation evolution generate shifting conditions—day and night, hot and cold, urban and desert—coexisting in one space. This approach enables simulations of future climatic conditions, while using real-time data from 2025 during the Venice Biennale.

Presented as a video screencast of an application running live on a server in fabric | ch's studio, driven by machine learning, the project autonomously generates spatial scenarios that stabilize twice a day. These can be downloaded in parallel as an immersive, walkable AR/VR experience.

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Then, tendencies can be drawn: what is the average presence of a certain type of content (functional, non-functional) over 3 or 6 months (from May to November 2025), for instance, or also only during Venetian nights? During Spring or Summer, etc.? Incoming climate behaviour could also be extrapolated from scientific forecasts: what will the climate be like in 2050? And in 2100? Or conversely, what was it like in 1972, for instance (the year The Limits to Growth was published, which was a clear first warning—even if imperfect—of what was to come if “growth” remained unchecked)?

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And then, from a haze of potential space use, and non-use, opened and closed volumes can be drawn. None of them being entirely suitable, frozen shapes framing freely evolving conditions. 

Images from the project Responsive Atmospheric Patios – extended experiments (fabric | ch, 2016).

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Atomized/Retrofitted Functioning is presented in a standardized way by the curatorial team, with the screencast video of the application running on the servers of fabric | ch. It is installed in the Artificiale section of the Biennale, next to the iconic–and somehow problematic–Seek project (1969–1070), by Nicolas Negroponte and Leon Groisser at the MIT Architecture Machine Group. Next to Architecture as a Living System, by John and Julia Frazer—as part of Cedric Price's Generator project (1976–79), but also of more contemporary (post-)critical takes on "computing" and "cybernetics" through the work of Kate Crawford and Vladan Joler (Calculating Empires, 2022), and others.

Atomized/Retrofitted Functioning in the Corderie building, at Biennale Architettura 2025.19th International Architecture Exhibition, Venice 10.05 – 23.11.2025.

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The project can also be "followed" during the Biennale, at this address: https://www.fabric.ch/Atomized/ , in live streaming during Biennale opening hours.

The whole genealogy of the research and its previous iterations are also accessible at the same location.

Note: fabric | ch has been selected to be part of the next Venice Biennial of Architecture 2025, starting in May '25.

While we cannot display much of the project engaged for now, these (below) are preliminary studies for what was planned first as a large media/data arrchitecture installation, inspired by previous works (notably Atomized Functioning). It will likely become a more standard presentation of the project driven by the curator's team, in the "Artificiale Canon" part of the exhibition.

Nonetheless, fabric | ch will take part in the Biennale Architettura 2025, alos known as the 19th International Architecture Exhibition in Venice.

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By fabric | ch

Atomited/Retrofitted Functiong (early draft as large media/data architecture installation, 2025)

 Atomized Functioning & Atmospheric Patios extended study (2018, 2016)

By fabric | ch

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As we continue to lack a decent search engine on this blog and as we don't use a "tag cloud" ... This post could help navigate through the updated content on | rblg (as of 09.2023), via all its tags!

FIND BELOW ALL THE TAGS THAT CAN BE USED TO NAVIGATE IN THE CONTENTS OF | RBLG BLOG:

(to be seen just below if you're navigating on the blog's html pages or here for rss readers)

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Note that we had to hit the "pause" button on our reblogging activities a while ago (mainly because we ran out of time, but also because we received complaints from a major image stock company about some images that were displayed on | rblg, an activity that we felt was still "fair use" - we've never made any money or advertised on this site).

Nevertheless, we continue to publish from time to time information on the activities of fabric | ch, or content directly related to its work (documentation).

Note: it is with great pleasure and interest that I read recently one of Philippe Rahm's last publication, "Essais climatiques" (published in French, by Editions B2), which consists in fact in a collection of articles published in the past 10+ years in various magazines, journals and exhibition catalogs. It is certainly less developed than the even more recent book, "L'histoire naturelle de l'architecture" (ed. Pavillon de l'Arsenal, 2020), but nonetheless an excellent and brief introduction to his thinking and work.

Philippe Rahm's call for the "return" of an "objective architecture", climatic and free of narrative issues, is of great interest. Especially at a time when we need to reduce our CO2 emissions and will need to reach energy objectives of slenderness. The historical reading of the postmodern era (in architecture), in relation to oil, vaccines and antibiotics is also really valuable in this context, when we are all looking to move forward this time in cultural history.

I also had the good surprise, and joy, to see the text "L'âge de la deuxième augmentation" finally published! It was written by Philippe back in 2009 probably, about the works of fabric | ch at the time, when we were preparing a publication that finally never came out... Though this text will also be part of a monographic publication that is expected to be finalized and self-published in 2022.

Via fabric | ch

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Note: still catching up on past publications, these ones (Cloud of Cards and related) are "pre-covid times", in Print-on-Demand and related to a the design research on data and the cloud led jointly between ECAL / University of Art & Design, Lausanne and HEAD - Genève (with Prof. Nicolas Nova). It concerns mainly new propositions for hosting infrastructure of data, envisioned as "personal", domestic (decentralized) and small scale alternatives. Many "recipes" were published to describe how to creatively hold you data yourself.

It can also be accessed through my academia account, along with it's accompanying publication by NIcolas Nova: Cloud of Practices.

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By Patrick Keller

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The same research was shortly presented in the Swiss journal Hemispheres, as well as in the international magazine Frame:

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Note: some progressive news... Published almost two years ago ((!) I find it interesting to bring things back and out of their "buzz time", possibly check what happened to it next), the article present some advances in "bionic-leaf". One step closer to the creation of artificial leaves so to say.

The interesting thing is that the research has deepened and continues towards agriculture, on-site soil enrichment to boost growth rather than treating it with fertilizers and chemicals to be transported from far. Behind this, some genetic manipulations though (for good? for bad?): "Expanding the reach of the bionic leaf".

Via MIT Technology Review

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 A new system for making liquid fuel from sunlight, water, and air is a promising step for solar fuels.

by Richard Martin

The bionic leaf is one step closer to reality.

Daniel Nocera, a professor of energy science at Harvard who pioneered the use of artificial photosynthesis, says that he and his colleague Pamela Silver have devised a system that completes the process of making liquid fuel from sunlight, carbon dioxide, and water. And they’ve done it at an efficiency of 10 percent, using pure carbon dioxide—in other words, one-tenth of the energy in sunlight is captured and turned into fuel. That is much higher than natural photosynthesis, which converts about 1 percent of solar energy into the carbohydrates used by plants, and it could be a milestone in the shift away from fossil fuels. The new system is described in a new paper in Science.

“Bill Gates has said that to solve our energy problems, someday we need to do what photosynthesis does, and that someday we might be able to do it even more efficiently than plants,” says Nocera. “That someday has arrived.”

In nature, plants use sunlight to make carbohydrates from carbon dioxide and water. Artificial photosynthesis seeks to use the same inputs—solar energy, water, and carbon dioxide—to produce energy-dense liquid fuels. Nocera and Silver’s system uses a pair of catalysts to split water into oxygen and hydrogen, and feeds the hydrogen to bacteria along with carbon dioxide. The bacteria, a microörganism that has been bioengineered to specific characteristics, converts the carbon dioxide and hydrogen into liquid fuels.

Several companies, including Joule Unlimited and LanzaTech, are working to produce biofuels from carbon dioxide and hydrogen, but they use bacteria that consume carbon monoxide or carbon dioxide, rather than hydrogen. Nocera’s system, he says, can operate at lower temperatures, higher efficiency, and lower costs.

Nocera’s latest work “is really quite amazing,” says Peidong Yang of the University of California, Berkeley. Yang has developed a similar system with much lower efficiency. “The high performance of this system is unparalleled” in any other artificial photosynthesis system reported to date, he says.

The new system can use pure carbon dioxide in gas form, or carbon dioxide captured from the air—which means it could be carbon-neutral, introducing no additional greenhouse gases into the atmosphere. “The 10 percent number, that’s using pure CO2,” says Nocera. Allowing the bacteria themselves to capture carbon dioxide from the air, he adds, results in an efficiency of 3 to 4 percent—still significantly higher than natural photosynthesis. “That’s the power of biology: these bioörganisms have natural CO2 concentration mechanisms.” 

Nocera’s research is distinct from the work being carried out by the Joint Center for Artificial Photosynthesis, a U.S. Department of Energy-funded program that seeks to use inorganic catalysts, rather than bacteria, to convert hydrogen and carbon dioxide to liquid fuel. According to Dick Co, who heads the Solar Fuels Institute at Northwestern University, the innovation of the new system lies not only in its superior performance but also in its fusing of two usually separate fields: inorganic chemistry (to split water) and biology (to convert hydrogen and carbon dioxide into fuel). “What’s really exciting is the hybrid approach” to artificial photosynthesis, says Co. “It’s exciting to see chemists pairing with biologists to advance the field.”

Commercializing the technology will likely take years. In any case, the prospect of turning sunlight into liquid fuel suddenly looks a lot closer.

Related Links:

Note: Timothy Morton introducing his concept of "hyperobjects" and "object-oriented philosophy".

Via e-flux via The Guardian (June 17)

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Image of Thimothy Morton.

The Guardian has a longread on the US-based British philosopher Timothy Morton, whose work combines object-oriented ontology and ecological concerns. The author of the piece, Alex Blasdel, discusses how Morton's ideas have spread far and wide—from the Serpentine Gallery to Newsweek magazine—and how his seemingly bleak outlook has a silver lining. Here's an excerpt:

Morton means not only that irreversible global warming is under way, but also something more wide-reaching. “We Mesopotamians” – as he calls the past 400 or so generations of humans living in agricultural and industrial societies – thought that we were simply manipulating other entities (by farming and engineering, and so on) in a vacuum, as if we were lab technicians and they were in some kind of giant petri dish called “nature” or “the environment”. In the Anthropocene, Morton says, we must wake up to the fact that we never stood apart from or controlled the non-human things on the planet, but have always been thoroughly bound up with them. We can’t even burn, throw or flush things away without them coming back to us in some form, such as harmful pollution. Our most cherished ideas about nature and the environment – that they are separate from us, and relatively stable – have been destroyed.

Morton likens this realisation to detective stories in which the hunter realises he is hunting himself (his favourite examples are Blade Runner and Oedipus Rex). “Not all of us are prepared to feel sufficiently creeped out” by this epiphany, he says. But there’s another twist: even though humans have caused the Anthropocene, we cannot control it. “Oh, my God!” Morton exclaimed to me in mock horror at one point. “My attempt to escape the web of fate was the web of fate.”

The chief reason that we are waking up to our entanglement with the world we have been destroying, Morton says, is our encounter with the reality of hyperobjects – the term he coined to describe things such as ecosystems and black holes, which are “massively distributed in time and space” compared to individual humans. Hyperobjects might not seem to be objects in the way that, say, billiard balls are, but they are equally real, and we are now bumping up against them consciously for the first time. Global warming might have first appeared to us as a bit of funny local weather, then as a series of independent manifestations (an unusually torrential flood here, a deadly heatwave there), but now we see it as a unified phenomenon, of which extreme weather events and the disruption of the old seasons are only elements.

It is through hyperobjects that we initially confront the Anthropocene, Morton argues. One of his most influential books, itself titled Hyperobjects, examines the experience of being caught up in – indeed, being an intimate part of – these entities, which are too big to wrap our heads around, and far too big to control. We can experience hyperobjects such as climate in their local manifestations, or through data produced by scientific measurements, but their scale and the fact that we are trapped inside them means that we can never fully know them. Because of such phenomena, we are living in a time of quite literally unthinkable change.

Related Links:

Note: Summer is coming again, and like each year now, it's time to digg into unread books or articles! "Luckily" and due to other activities, we didn't publish much since last Summer. So it won't be too much of a hassle to catch back. Nonetheless, there are almost 2000 entries now on | rblg...

So, I hope you'll enjoy your Summer readings (on the beach... or on the rocks)! On my side, I'll certainly try to do the same and will be back posting in September.

By fabric | ch

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As we lack a decent search engine on this blog and as we don't use a "tag cloud" either... but because Summer is certainly one of the best period of the year to spend time reading and digging into past content and topics:

HERE ARE ALL THE CURRENT UPDATED CATEGORIES TO NAVIGATE ON | RBLG BLOG:

(to be seen below if you're navigating on the blog's html pages or here for rss readers)