fabric | rblg

Note: the new project Atomized/Retroffited Functioning by fabric | ch has been selected for La Biennale di Venezia / 19th International Architecture Exhibition (2025), curated by C. Ratti.

The piece is currently on display in the Corderie (main exhibition space of the Arsenale, Venice) and will stay exhibited until the 23rd of November 2025 (10.05 – 23.11.2025).

The project present a live iteration of the ongoing Atomized (*) series of work, at this occasion within a fictional space that gather dynamic planetary conditions, in the form of environmental data coming from meteo stations across the globe.

This is a series of radical algorithmic experiments that fabric | ch discreetly initiated in 2014 with a publication—Desierto #3, 28°C—, and an experimental project—Reponsive Atmospheric Patios—on “spatial and environmental intelligence”: real-time environmental data feeds into the automated and continuous assembly of previously “atomized” elements of architectural functions (as well as a diverse set of “atoms” of use/misuse/non-use of space). The results help us to study renewed and evolving assemblies for our changing planet.

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The whole project, its genealogy, and the current live feed are presented on https://www.fabric.ch/Atomized/

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By fabric | ch

The "Pulsar Map" (Peirce quincuncial projection), or live environmental data coming from the selected planetary and historical setllements locations: Venice (IT), Athens (GR), Uruk (IR), Tokyo (JP), Vancouver (CA), Chicago (US), Manchester (EN), Brasilia (BR), North Pole (-). These live data help us build a fictional and planetary live space, to be investigated by Atomized/Retrofitted Functioning. 

Atomized/Retrofitted Functioning

Loosely inspired by particle physics experiments, where collisions reveal fundamental forces, the project explores new spatial paradigms by rethinking past functional assemblies. It parallels retrofitting, adapting spatial configurations to evolving climates and digital realities rather than following fixed models.

Drawing at the same time on vernacular architecture, which historically responded to local climates through material intelligence (notably the work of Professors F. Aubry at EPFL, and B. Rodofsky at Cooper Union, as well as Philippe Rahm’s contemporary interpretation), the project extends this logic into computational realms. It examines the patterns and phasing effects of contemporary space between material and non-material milieux.

The project takes form as an abstract and speculative habitable volume, where environmental data from key locations in human habitation evolution generate shifting conditions—day and night, hot and cold, urban and desert—coexisting in one space. This approach enables simulations of future climatic conditions, while using real-time data from 2025 during the Venice Biennale.

Presented as a video screencast of an application running live on a server in fabric | ch's studio, driven by machine learning, the project autonomously generates spatial scenarios that stabilize twice a day. These can be downloaded in parallel as an immersive, walkable AR/VR experience.

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Then, tendencies can be drawn: what is the average presence of a certain type of content (functional, non-functional) over 3 or 6 months (from May to November 2025), for instance, or also only during Venetian nights? During Spring or Summer, etc.? Incoming climate behaviour could also be extrapolated from scientific forecasts: what will the climate be like in 2050? And in 2100? Or conversely, what was it like in 1972, for instance (the year The Limits to Growth was published, which was a clear first warning—even if imperfect—of what was to come if “growth” remained unchecked)?

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And then, from a haze of potential space use, and non-use, opened and closed volumes can be drawn. None of them being entirely suitable, frozen shapes framing freely evolving conditions. 

Images from the project Responsive Atmospheric Patios – extended experiments (fabric | ch, 2016).

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Atomized/Retrofitted Functioning is presented in a standardized way by the curatorial team, with the screencast video of the application running on the servers of fabric | ch. It is installed in the Artificiale section of the Biennale, next to the iconic–and somehow problematic–Seek project (1969–1070), by Nicolas Negroponte and Leon Groisser at the MIT Architecture Machine Group. Next to Architecture as a Living System, by John and Julia Frazer—as part of Cedric Price's Generator project (1976–79), but also of more contemporary (post-)critical takes on "computing" and "cybernetics" through the work of Kate Crawford and Vladan Joler (Calculating Empires, 2022), and others.

Atomized/Retrofitted Functioning in the Corderie building, at Biennale Architettura 2025.19th International Architecture Exhibition, Venice 10.05 – 23.11.2025.

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The project can also be "followed" during the Biennale, at this address: https://www.fabric.ch/Atomized/ , in live streaming during Biennale opening hours.

The whole genealogy of the research and its previous iterations are also accessible at the same location.

Note: fabric | ch has been selected to be part of the next Venice Biennial of Architecture 2025, starting in May '25.

While we cannot display much of the project engaged for now, these (below) are preliminary studies for what was planned first as a large media/data arrchitecture installation, inspired by previous works (notably Atomized Functioning). It will likely become a more standard presentation of the project driven by the curator's team, in the "Artificiale Canon" part of the exhibition.

Nonetheless, fabric | ch will take part in the Biennale Architettura 2025, alos known as the 19th International Architecture Exhibition in Venice.

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By fabric | ch

Atomited/Retrofitted Functiong (early draft as large media/data architecture installation, 2025)

 Atomized Functioning & Atmospheric Patios extended study (2018, 2016)

By fabric | ch

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As we continue to lack a decent search engine on this blog and as we don't use a "tag cloud" ... This post could help navigate through the updated content on | rblg (as of 09.2023), via all its tags!

FIND BELOW ALL THE TAGS THAT CAN BE USED TO NAVIGATE IN THE CONTENTS OF | RBLG BLOG:

(to be seen just below if you're navigating on the blog's html pages or here for rss readers)

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Note that we had to hit the "pause" button on our reblogging activities a while ago (mainly because we ran out of time, but also because we received complaints from a major image stock company about some images that were displayed on | rblg, an activity that we felt was still "fair use" - we've never made any money or advertised on this site).

Nevertheless, we continue to publish from time to time information on the activities of fabric | ch, or content directly related to its work (documentation).

Note: Patrick Keller (fabric | ch) was in discussion with curator Sabine Himmelsbach, from Haus der elektronischen Künste in Basel (CH), about their new acquisition for the collection of the Museum: Satellite Daylight 47°33'N.

The piece will be displayed permanently in the public space of the HeK. At least until breakdown... But interestingly, it is also part of a whole program of digital conservation at HeK that should prevent its technological collapse, for which we had to follow a tight protocol of documentation and provide the source code pf the work.

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fabric | ch, Satellite Daylight, 47°33‘N, 2020, Vue de l'installation durant «Shaping the Invisible World», 2021, HeK. Photo.: P. Keller.

Shooting set in preparation ...

Followed by our discussion with Sabine Himmelsbach ... (with a lot of reverb in the staircase!)

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Via Haus der elektronischen Künste (blog)

Patrick Keller of fabric | ch, a studio for architecture, interaction and research in Lausanne, provides thrilling insight about the new work installed in the staircase of HeK.

Patrick Keller of fabric | ch, a studio for architecture, interaction and research in Lausanne, provides information about the new work in an interview. The installation  Satellite Daylight, 47°33’N, commissioned for the HeK collection, simulates the light registered by an imaginary meteorological satellite orbiting the earth at the latitude of Basel at a speed of 7541m/s.

Note: A new work by fabric | ch has been commissionned and aquired by the Haus der elektronischen Künste (HeK) in Basel for the museum's collection, part of the Satellite Daylight serie of "environmental devices".

It is the second work of fabric | ch that enters the collection, after a serie of four videos related to Satellite Daylight and entitled Satellite Daylight Pavilion. We are glad to join artists in the collection like Jodi, mediengruppe!Bitnick, Etoy, ... and also former students or colleagues at ECAL/University of Art and Design Lausanne (Juerg Lehni, Gisin & Vanetti, FragmentIn)!

This new artwork is entitled Satellite Daylight 47°33'N, and circles in fictious and continous way around the 47°33'N latitude -- while acquiring live environmental data about daylight, light intensity, nebulosity and cloud cover that drive the luminous display. --

This continuous circonvolution, at the speed of a real Earth Satellite and that triggers 16 nights and days per regular day on Earth, produces a new combined daylight at the point of installation, both local and internationally mediated.

Satellite Daylight's is an open serie of unique artworks, each located on a different latitude.

Via fabric | ch

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 (Photo.: P. Keller)

Via The Doors of Perception

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By Kristi

I have just received a quite extraordinary 736 page book called Lean Logic: A Dictionary For The Future and How To Survive It by the English ecologist David Fleming. The publisher describes it as a "community of essays". In my words it's half encyclopedia, half commonplace book, half a secular bible, half survival guide, half ... yes, that's a lot of halves, but I hope you get the picture. I have never encountered a book that is so hard to characacterise yet so hard, despite its weight, to put down.

The editors of Lean Logic, who have completed the project following Fleming's untimely death last year, say it's about "cooperative self-reliance in the face of great uncertainty". Well, yes. But today I have also read entries on nanotechnlogy, carnival, casuistry, multiculturalism, and the 'new domestication' - and I still have more than 1,000 entries to read. Waiting for me ahead are entries on road pricing, the vernacular, trust, resilience, the marshes of Iraq...

Lean Logic does not sugar-coat the challenges we face: an economy that destroys the very foundations upon which it depends; climate weirdness; ecological systems under stress; shocks to community and culture. Neither does the book suggest that there are easy solutions to these dilemmas. As Fleming has said, "large scale problems do not require large-scale solutions - they require small-scale solutions within a large-scale framework.

This is not a book to read from start to finish - although entry Number 1, on Abstraction, is engaging enough. Fleming defines abstraction as "Displacement of the particular - people, places, purpose - by general principle". Within a few lines Fleming introduces someone I never heard of, Alexander Herzen [1812-1870], as one of the first writers to "make the case for local detail, for pragmatic decision-making, for near-at-hand, for 'presence'. Fleming goes on to quote such other "scourges of abstraction" as Oliver Goldsmith, Montaigne, Joseph Conrad, and Matthew Arnold. And that's all on page one.

Among the incredibly useful passages I've already discovered are: a long text about 'resilience' and its multiple meanings; a clear account of Energy Decent Action Plans; an explanation of Harmonic Order; a comparative guide to barter through the ages; and a section on Lean Health.

Fleming was a co-founder of the UK Green Party, chair of the Soil Association, and active from its early days in the Transition Towns movement. He was one of the first people in the world to understand the implications for industrial civilzation of peak oil, and a good deal of the book is about energy in its many meanings. Fleming was the inventor - and advocate for more than a decade - of Tradeable Energy Quotas or TEQs. This energy rationing scheme is designed to share out fairly a nation's shrinking - as it must and will - energy/carbon budget, while allowing maximum freedom of choice over energy use.

But Lean Logic is neither a policy manifesto nor a dry technical guide. It's an incredibly nourishing cultural and scientific treasure trove. Its pages span ethics, science, culture, art, and history. The book's greatest strength, for this mesmerized reader, is the lightness with which it draws on knowledge from earlier periods of history, and from other cultures.

Lean Logic has been printed in a hardback first edition of just 500 copies, so get your order in quick.

Via The Guardian (environment blog)

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By Adam Vaughan

Interactive tool layering climate data over Google Earth maps shows the impact of an average global temperature rise of 4C

Think it's hot this summer? Wait until you see Google's simulation of a world with an average global temperature rise of 4C.

Using a map that was first launched by the former Labour administration in October 2009, the coalition government has taken temperature data from the Met Office Hadley Centre and other climate research centres and imposed it on to a Google Earth layer.

It's a timely arrival, with warnings this month that current international carbon pledges will lead to a rise of nearly 4C and the Muir Russell report censuring some climate scientists for not being more open with their data (but exonerating them of manipulating the scientific evidence).

Unlike a similar tool using IPCC data that was launched by Google in the run-up to the Copenhagen climate conference last year, this map will be updated regularly with new data. It also has a series of YouTube videos of experts across the globe, with Met Office staff talking about forest fires in sub-Saharan Africa and researchers at the Tyndall Centre for Climate Change Research explaining sea level rises. To go more in-depth you can follow links to government sites, such as this one on water availability in a warming world.

Playing with the layer is surprisingly addictive, mainly thanks to Google Earth's draggable interface. Unlike the static map of last year, it also has the bonus of showing more obviously how temperature rises will differ drastically around the world. The poles glow a red (a potential rise of around 10C) while most of northern Europe escapes with light orange 2-3C rises. Other hotspots, such as Alaska, the Amazon and central Asia, also stand out.

Neatly, you can turn different climate "impacts" on and off. If you just want to see which regions will be worst affected by sea level rises - such as the UK and Netherlands as well as low-lying island states - you can. One limitation is that you have to zoom out to continental level to see the layer: if you're zoomed on your street, you can't see it.

Climate change minister Greg Barker launched the map today alongside the government's chief scientist, Prof John Beddington. Barker said: "This map reinforces our determination to act against dangerous man-made climate change. We know the stakes are high and that's why we want to help secure an ambitious global climate change deal."

The layer, of course, isn't the only one with an environmental theme to land on Google Earth. The UN's environment programme has one showing deforestation, WWF has a layer highlighting its projects across the globe and Google even has its own climate change "tours" for Google Earth. What other good green Earth layers have you stumbled across? And how do you rate the newest addition from the UK government?

• The KML layer of The impact of a global temperature rise of 4C is available now (you'll need a browser plug-in or the Google Earth app installed to view it)

Personal comment:

An interface and layer (Google Earth) to monitor the evolution of the predictions about climate. Should be updated as knowledge evolves.
Which brings a thought to our recent Arctic Opening project as it shoes that the arctic region will be dramatically hit by the rises of temperatures on the Globe.