Wednesday, August 18. 2010
Via TreeHugger
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Images from Oikos Project Some are calling it "junkitechture", a new way of building and designing using only recycled and reclaimed materials. The Jellyfish Theatre, which is under construction right now, is a prime example of this new architecture. It will be the first UK theatre made completely of old materials from all sources: junked theatre sets, building sites, 800 market pallets, old kitchen units that the public bring along. There will e...Read the full story on TreeHugger
Via TreeHugger
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photo: Rob Lee via flickr
Lots of environmentally bad stuff is happening as the world's permafrost melts, mostly in the realm of releasing stored greenhouse gases. But, as Conservation points out, a new report in the journal Science of the Total Environment finds that as a permafrost melts in northern Sweden, stored mercury has begun leaking from a peat bog into a nearby lake--something which could expand as temperatures continue to rise.
In addition to storing large amounts of greenhouse gases, peatlands also store mercury--some from natural sources, most coming from the emissions of burning fossil fuels. As you hopefully know, mercury and water is a highly toxic mix for life.
The study finds, "there is a very real potential that a substantial amount of mercury, and other organically bound and stored contaminants, might be released into arctic and sub-arctic surface waters from thawing permafrost."
Sediment Mercury Levels Rising at Rate Not Seen in Centuries
To come to that conclusion a team of researchers used core samples from a peat bog and lake-bottom sediments from northern Sweden to determine shifting mercury concentrations and compare them to past climate data. They found that "sediment mercury levels are now rising at 8.3 micrograms per square meter per year, a rate not seen in several centuries."
Read the original: Climate driven release of carbon and mercury from permafrost mires increase mercury loading to sub-arctic lakes
Personal comment:
The choice of the Arctic as a reference for our latest work was not by chance! What will happen or not there (about climate, about energy, about territory/energy conflicts, about transportation --goods, people, tourists, oil, ...) will affect the rest of the globe.
Via Mammoth
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[Housing in Hong Kong, from photographer Michael Wolf's series "Architecture of Density"]
In the latest Foreign Policy, Parag Khanna argues that the city is increasingly becoming a more important geopolitical entity than the nation-state:
The 21st century will not be dominated by America or China, Brazil or India, but by the city. In an age that appears increasingly unmanageable, cities rather than states are becoming the islands of governance on which the future world order will be built. This new world is not — and will not be — one global village, so much as a network of different ones…
Time, technology, and population growth have massively accelerated the advent of this new urbanized era. Already, more than half the world lives in cities, and the percentage is growing rapidly. But just 100 cities account for 30 percent of the world’s economy, and almost all its innovation.
Neither 19th-century balance-of-power politics nor 20th-century power blocs are useful in understanding this new world. Instead, we have to look back nearly a thousand years, to the medieval age in which cities such as Cairo and Hangzhou were the centers of global gravity, expanding their influence confidently outward in a borderless world. When Marco Polo set forth from Venice along the emergent Silk Road, he extolled the virtues not of empires, but of the cities that made them great. He admired the vineyards of Kashgar and the material abundance of Xi’an, and even foretold — correctly — that no one would believe his account of Chengdu’s merchant wealth. It’s worth remembering that only in Europe were the Middle Ages dark — they were the apogee of Arab, Muslim, and Chinese glory.
While the article is too brief and too wide-ranging to treat its thesis (really, theses, as Khanna makes a host of relatively provocative claims through pure assertion) as thoroughly as it deserves, it is an interesting read. Perhaps his forthcoming book will explore the ideas outlined in the article in more depth? (I have to admit that I am, predictably, partial to his earlier assertion that “independence without infrastructure is futile”.)
Via BLDGBLOG
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by noreply@blogger.com (Geoff Manaugh)
[Image: Woodworms by Zimoun].
While we're on the subject of acoustic botany, it's worth recalling Swiss artist Zimoun's Woodworms installation, whose minimalist set-up simply reads: "25 woodworms, wood, microphone, sound system." You can watch—and listen to—a video of the piece here.
While you're there, don't miss Zimoun's other work: a machinic delirium of motors mounted on walls and tabletops, all oscillating in and out of phase with one another and ebbing with the off-kilter sound of endless drones.
Via Mashable
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by Jolie O'Dell
Here’s one for all you lovers of futuristic interfaces. An interactive hardware company called Displax has begun marketing Skin, a paper-thin, flexible film that would transform any non-metal surface into an interactive touchscreen.
You could place Skin on any surface, transparent or opaque, flat or curved, and use it to display any interactive content you like. Displax’s multi-touch technology can detect up to 16 fingers at once and can also detect air movement.
Skin is completely transparent and works on surfaces that are also transparent; you can place Skin on a glass surface and interact with content displayed under the glass.
This unique hardware operates via a grid of nanowires embedded Skin’s polymer film. Each time a user makes contact with the surface, either by blowing on it or directly touching it, “a small electrical disturbance is detected allowing the micro-processor controller to pinpoint the movement or direction of the air flow,” according to Displax.
We can imagine millions of cool use cases for such a technology — business presentations, medicine, museums, schools, and gaming to start. The possibilities are as endless as our collective and ever-growing want and need to interact with digital content through multi-touch interfaces.
What do you think of Skin? Is this a product you’d like to try or use?
More About: displax, Film, Hardware, interaction, interface, skin, touchscreen, trending
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